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Speakers — studio, professional and home

130 speakers from Magnat, JBL, Adam Audio, KRK Systems, PreSonus, Yamaha, M-Audio, Kali Audio, Fluid Audio, Alto Professional and HK Audio. With 126 on a 24-month warranty.

At a glance
  • Magnat 23 · JBL 9 · Adam Audio 8 · Alto Professional 7 · PreSonus 7 · Yamaha 7 · HK Audio, KRK Systems, M-Audio, Fluid Audio, Kali Audio
  • 126 speakers with a 24-month warranty
  • Studio monitors, professional PA speakers and home speakers
  • Shipped from Thessaloniki across Greece, with business invoicing available.

Three categories that do not do the same job

It is worth being clear about, because a speaker that is excellent for one use is the wrong choice for another.

Studio monitors. The Adam Audio, KRK Systems, PreSonus, M-Audio, Kali Audio and Fluid Audio ranges. They are designed to be neutral — not to "improve" the sound but to show it exactly as it is, faults included. That is why they sound "dry" on first listen, and why they are the tool of music production: if a mix sounds good on monitors, it will sound good everywhere.

Professional PA speakers. Alto Professional and HK Audio. Built for volume and room coverage — events, bars, live music, speeches. A different logic: durability, portability and power.

Home speakers. Magnat and JBL operate here. They are designed to sound pleasant, with lifted bass and sweeter highs. For listening, not for production.

Active or passive? The first decision

Active. They have a built-in amplifier. You connect the audio interface or mixer directly and they work. Most studio monitors are active, and they are the simple right choice for a home studio.

Passive. They need a separate amplifier. They give freedom in pairing, but you have to match power and impedance correctly.

The practical rule: if you do not already have an amplifier and do not want to deal with matching, buy active.

The mistake that cancels out good speakers

It is not the choice of speaker — it is placement and the room. A modestly priced pair placed correctly sounds better than expensive speakers on the floor under a desk.

An equilateral triangle. The two speakers and your head form a triangle with equal sides. It is the one rule that makes the biggest difference.

Tweeters at ear height. If the speakers sit low on a desk, you need stands — highs are directional and are lost if they hit your chest.

Not flush against the wall. The wall behind reinforces bass in a way that makes it muddy. A few centimetres of distance noticeably changes clarity.

Isolation pads underneath. A speaker resting directly on a wooden desk vibrates the desk, and the desk adds its own sound. Simple isolation pads solve a problem many people blame on the speakers.

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Frequently asked questions about speakers

What are studio monitors?
Neutral speakers that show sound as it is, faults included. For music production rather than pleasant listening.
Active or passive?
Active if you have no amplifier — they have one built in and connect directly. Passive if you want to choose an amplifier separately.
How do I position them?
An equilateral triangle with your head, tweeters at ear height, a few centimetres from the wall.
Why does the bass sound muddy?
Usually because the speakers are flush against the wall or resting directly on the desk. Try distance and isolation pads.
Are they suitable for home cinema?
The home models yes. Studio monitors will sound dry — they are built for accuracy, not impact.

Choose by use — accuracy for production, volume for events, pleasant for listening. And give placement the same attention you gave the choice.

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